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I have been invited to be a judge on a competition for young composers sponsored by the Imperial War Museum. The submitted pieces are on the theme 'In Memoriam'.

The choral work that has occupied me for most of the last two years is now finished.  It's in seven parts and is called 'Amazing Day'. The first performance is currently scheduled to be with Anthony Dawson at the Sevenoaks Festival in July.

'Romance No.1' has proved to be extremely popular and I have been asked to compose another piece for the follow-up album.

'Come Una Pregheira' (Eternal Prayer) has been recorded by Jon Christos and will be featured on his album 'Artist' released March/April 2009.

Artists that have recorded my work include All Angels (Pie Jesu), Roisin O' Reilly (Christmas Gift of Love), Jon Christos (Come Una Preghiera) and Craig Ogden (Romance No.1)

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I am currently presenting Classic FM's 'The Full Works'; a three hour programme broadcast every weekday evening from nine till midnight in which I play many of the greatest pieces of classical music in their entirety.

John Brunning with Luciano Pavarotti

Welcome to JohnBrunning.com.

Many people know my name and voice from listening to Classic FM, but fewer are aware of my work as a musician and composer; which predates my radio presentation by many years.

However, even when I was playing lead guitar in professional rock bands, including a spell with seventies’ chart-toppers “Mungo Jerry”, I was always enthusiastic about so-called “classical music”; I say so-called because I instinctively dislike pigeonholing music.

One of the first records I bought as an eight-year-old boy was a recording of the Brahms Violin Concerto, followed swiftly by Frankie Lane singing “Rawhide” – eclectic, to say the least! If a piece has strong melodies and unfolds in an interesting way, there’s every chance it will appeal, whether it be a song, symphony or concerto.

I have been a presenter with Classic FM since the station went on air in September 1992, and I feel sure that the huge variety of music I have been exposed to must be reflected in my own compositions.

Had someone told me thirty years ago that I would spend two years composing a choral work, I would have thought them crazy; but that’s precisely what I have been doing, and thoroughly enjoying every step of the process.